Vitrine Gallery | Free
Jenna Lee’s manipulation of paper is an expression of her mixed ancestry as a Japanese, Chinese, Filipino, Gulumerridjin (Larrakia), Wardaman and KarraJarri Saltwater woman. Developed over her recent artist residency in Kyoto, this display of recent sculpture, photography and works on paper speak of overlapping identities, childhood memory as well as maternal teachings of subject and process.
Image: Studio view of Jenna Lee’s 2022 residency at Kyoto Art Centre. Photo: Nao Kureya. Image courtesy the artist.
17 Nov | Exhibition Launch
18 Nov | In Conversation: Jenna Lee + Lawrence English